Other facts about Rumiko Takahashi
| Subreddit |
RumicWorld |
|---|---|
| Work period (start) |
1978-01-01T00:00:00Z |
| Europeana entity |
Agent/base/60243 |
| Languages spoken, written or signed |
Japanese |
| Country of citizenship |
Japan |
| Name in kana |
たかはし るみこ |
| Notable work |
Rin-ne |
| Field of work |
Mangaka |
| Native language |
Japanese |
| Family name | |
| CiNii author ID (books) |
DA07068487 |
| Libris-URI |
Mkz13k05122375x |
| Given name |
Rumiko |
| Blood type |
A |
| Bgm.tv person identifier |
464 |
| Name in native language |
高橋留美子 |
Reviews
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All reviews (1)
Jun 15, 2011
Snapichan
When i first saw the dvd box from this anime, i thought it was a story about a theater company, playing their acts. Well, it´s not, but almost. This is a uncomon and curious kind of anime.
As you know, or not, Rumiko Takahashi is the creator of Inuyasha, Ranma, and others, so you´ll know allready the kind of characters, their expressions, etc, from this.
So, we have 13 episodes, each one has a total diferent story from the others, and this is the first point that i analyze. You ´ll never get bored from the stories, as a said, they are all diferent, and
…
the stories are all about situations, that we live with it every day, or some special ocasion. Even once, when you see the anime, you think, that you saw, or lived that situation one time, or more.
About the art, as i said up here, if you saw the other animes from Rumiko, and if you loved theme, then you´ll feel like home here too, there ´s nothing new here, in my opinion, her animes always had great drawings, and characters.
The music is nothing extraordinary, and the stories don´t ask for that, but they feet very well with the situations, simple and kind
Even the stories are diferent, and the characters from each one, they always meet in other episodes to, and that´s one thing that i found funny (even inuyasha and kagome apears! xD)
I really enjoyed this anime, i found there something funny, emotional, and refreshing. The only thing that fails here, i thing, is his lenght. It´s a bit short, it could have more episodes, maybe 20.
I highly recomend this one, for the people how want something really diferent and light from anime/manga. Check it out (sorry my english, i´m portuguese xD)
Reviewer’s Rating: 8
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More news
Recent Forum Discussion
| Poll: Rumiko Takahashi Anthology Episode 10 Discussion Mukkura — Jun 29, 2014 | 8 replies | by Dekom »»Dec 25, 4:20 PM | |
| Poll: Rumiko Takahashi Anthology Episode 9 Discussion TitanioVerde — Oct 12, 2010 | 11 replies | by Dekom »»Dec 24, 2:59 PM | |
| Poll: Rumiko Takahashi Anthology Episode 8 Discussion Mukkura — Jun 29, 2014 | 7 replies | by Dekom »»Dec 22, 1:28 PM | |
| Poll: Rumiko Takahashi Anthology Episode 7 Discussion Mukkura — Jun 29, 2014 | 7 replies | by Dekom »»Dec 20, 3:49 PM | |
| Poll: Rumiko Takahashi Anthology Episode 6 Discussion TitanioVerde — Oct 9, 2010 | 8 replies | by Dekom »»Dec 19, 3:07 PM |
Major works
| Years | Name | Magazine | Total number of volumes | Circulation in Japan | Japanese publisher | English publisher |
|---|---|---|---|---|---|---|
| 1978–1987 | Urusei Yatsura (うる星やつら) | Weekly Shōnen Sunday | 34 | 35 million | Shōgakukan | Viz Media |
| 1980–1987 | Maison Ikkoku (めぞん一刻) | Big Comic Spirits | 15 | 25 million | ||
| 1984–1994 | Mermaid Saga (人魚シリーズ) | Weekly Shōnen Sunday | 3 | |||
| 1987–1996 | Ranma ½ (らんま1/2) | Weekly Shōnen Sunday | 38 | 55 million | ||
| 1987–2007 | One-pound Gospel (1ポンドの福音) | Weekly Young Sunday | 4 | |||
| 1987–present | Rumic Theater (高橋留美子劇場) | Big Comic Original | 5 | |||
| 1994–2015 | Rumic World (るーみっくわーるど) | Various | 5 | |||
| 1996–2008 | Inuyasha (犬夜叉) | Weekly Shōnen Sunday | 56 | 50 million | ||
| 2009–2017 | Rin-ne (境界のRINNE) | Weekly Shōnen Sunday | 40 | 3 million | ||
| 2019–present | Mao (マオ) | Weekly Shōnen Sunday | 11 | 1 million |
Animation
In 1981, Urusei Yatsura became the first of Takahashi’s works to be animated. This series first aired on Japanese television on October 14, and went through multiple director changes during its run. Though the 195-episode TV series ended in March 1986, Urusei Yatsura was kept alive in anime form through OVA and movie releases through 1991. Most notable of the series directors was Mamoru Oshii, who made Beautiful Dreamer, the second Urusei Yatsura movie. AnimEigo has released the entire TV series and all of the OVAs and movies except for Beautiful Dreamer (which was released by Central Park Media in the U.S.) in the United States in English-subtitled format, with English dubs also made for the first two TV episodes (as Those Obnoxious Aliens) and for all of the movies.
Kitty Films
Continued cooperation of Kitty Films, Studio Pierrot, and Studio Deen in 1986 led to the adaption of Rumiko Takahashi’s second work, Maison Ikkoku, which debuted the week after the final TV episode of UY. The TV series ran for 96 episodes, 3 OVAs, a movie and also a live-action movie.
OVAs produced in the mid-80s:
- Maris the Chojo (May 21, 1986)
- Fire Tripper (December 16, 1985)
- Laughing Target (March 21, 1987)
OVAs produced in the early 90s:
- Mermaid’s Forest (August 16, 1991)
- Mermaid’s Scar (September 24, 1993)
All listed titles were eventually subtitled in English and released in the United States. Viz Communications has released the anime of Maison Ikkoku, Ranma and Inuyasha in English, in both subtitled and dubbed formats. Studio Deen also provided animation duties on Maison Ikkoku and Ranma.
Ranma ½ was the last major series produced by Kitty Films. The series was never concluded in animated form despite being 161 episodes and having two movies. Kitty Films discontinued work on the series due to turmoil in the company, and was continued by Studio Deen until 1996.
After Kitty Films, Sunrise was the first studio to adapt a major Rumiko Takahashi series. From 2000–2004, Inuyasha ran for 167 episodes and spawned four major films. The first anime ended before the manga did, thus wrapping up inconclusively. A second Inuyasha series in 2009, Inuyasha the Final Act, ran until March 2010 in order to officially conclude the story.
2008 special exhibit
2008 marked the 50th anniversary of Weekly Shōnen Sunday and the 30th anniversary of the first publication of Urusei Yatsura. Rumiko Takahashi’s manga work was honoured in It’s a Rumic World, a special exhibition held from July 30 to August 11 at the Matsuya Ginza department store in Tokyo.
The exhibit included a new half-hour Ranma ½ and Inuyasha OVAs and an introductory sequence featuring characters from Urusei Yatsura, Ranma and Inuyasha (starring the characters’ original anime voice talents). The sequence has become a popular video on YouTube.
It’s a Rumic World was scheduled to re-open in Sendai in December 2008, at which time a new half-hour Urusei Yatsura OVA was scheduled to premiere. A special DVD release containing all three new OVAs was announced as coming out on January 29, 2010, with a trailer posted in September 2009. However, it is not known whether any of the new episodes will ever be released outside Japan.
Rumiko Takahashi Anthology, animated by TMS Entertainment adapts many of her short stories from the 80s. It features her stories The Tragedy of P, The Merchant of Romance, Middle-Aged Teen, Hidden in the Pottery, Aberrant Family F, As Long As You Are Here, One Hundred Years of Love, In Lieu of Thanks, Living Room Lovesong, House of Garbage, One Day Dream, Extra-Large Size Happiness, and The Executive’s Dog. Also, a TV series of Mermaid Saga was produced in 2003, animating 8 of her stories.
Lesser-Known Gems by Rumiko Takahashi
While Takahashi’s iconic works are rightfully celebrated, she has also created a number of lesser-known manga that are equally worth exploring. Some of these include:
Mermaid Saga: A Dark and Mysterious Journey
Mermaid Saga is a dark and atmospheric series that explores the mythology of mermaids and immortality. The story follows a young man named Yuta, who is cursed to live forever after eating the flesh of a mermaid. He meets a series of other cursed individuals, each with their own tragic stories and motivations. The series is notable for its hauntingly beautiful artwork and complex, mature themes.
One-Pound Gospel: A Unique Blend of Sports and Romance
One-Pound Gospel is a quirky and charming series that combines the worlds of boxing and romance. The story centers around a struggling young boxer named Kosaku who falls in love with his plucky and determined nun trainer, Sister Angela. The series is notable for its unusual premise, endearing characters, and Takahashi’s ability to blend comedy and drama seamlessly.
Rumic Theater: A Collection of Short Stories
Rumic Theater is a collection of short stories that showcases Takahashi’s range and versatility as a storyteller. The series includes tales of love, fantasy, horror, and more, each with its own unique twist and flavor. The series is notable for its innovative storytelling techniques, diverse cast of characters, and Takahashi’s ability to weave complex themes into even the shortest of stories.
FAQs
What inspired Rumiko Takahashi’s manga?
Many of Takahashi’s manga series are inspired by Japanese history and mythology. They feature curses and fantastic creatures as well as modern concepts such as time travel.
Has Rumiko Takahashi won any awards?
In recent years, Takahashi has received several prestigious awards, including Japan’s Medal with Purple Ribbon. She has also been inducted into both the Harvey Awards Hall of Fame and the Chevalier de l’Ordre des Arts des Lettres.
When did Rumiko Takahashi start writing manga?
In 1978, Takahashi published her first one-shot, which earned her an honorable mention in the Shogakukan New Comics Contest.
Kazuki Takahashi Wife: Who Is Rumiko Takahashi?
Kazuki Takahashi was married to his loving wife Rumiko Takahashi. Both of them were interested in making manga, so they got along very well. She is a mangaka, and Ranma 1/2 and InuYasha are two of her best-known works. Because of Ranma 1/2 and InuYasha, she is the richest mangaka in Japan and the most popular female comics artist ever.
She was born in Niigata, Japan, on October 10, 1957. Even though she didn’t show much interest in comics when she was younger, it was said that she sometimes drew in the margins of her papers at Niigata Ch High School.
Takahashi said in an interview in 2000 that she had always wanted to be a successful comic book writer. She went to a school in Tokyo called Gekiga Sonjuku University, where she studied drawing for six months. This school was started by the famous manga artist Kazuo Koike, who wrote the books Crying Freeman and Lone Wolf and Cub.
Takahashi’s first book, Katte Na Yatsura, came out in 1975 with his help. For it, she won the Shogakkan New Comics Award. She also started putting out other dojinshi manga stories like Bye-Bye Road, Star of Futile Dust, Time Warp Trouble, Shake Your Buddha, and Golden Gods of Poverty.
Takahashi’s second important series, Maison Ikkoku, came out in 1980 in Big Comic Spirits. Takahashi worked on the series here and there while writing Urusei Yatsura. In 1987, she finished both series. Urusei Yatsura had 34 books, and Maison Ikkoku had 15.
Also, many of her works have been translated into English and other European languages, which helped her become well-known in the west. Takahashi and other authors got the Inkpot Award at the San Diego Comic-Con in 1994.
She was one of twelve women cartoonists honored by ComicsAlliance in 2016 for their work over a long period of time. Takahashi was also nominated for the Eisner Hall of Fame in July 2018. Her books have sold more than 200 million copies around the world and have been translated into several other languages.
Cause Of Death Of Kazuki Takahashi
The author of the Yu-Gi-Oh manga series, Kazuki Takahashi, was found dead in his snorkeling gear off the coast of Japan. He was sixty years old. Since the investigations are still going on, we don’t know for sure what caused his death.
The sudden death of the well-known Japanese author recently made the news. It breaks my heart to see how grief and loss are affecting the manga community all over the world.
Takahashi’s body was found on July 6, 2022, at 10:30 a.m. JST, 300 meters (980 feet) off the coast of Nago, Okinawa, when a passing boat told the Japan Coast Guard about it. Animals that eat dead things had been around for a while, so it was clear that he had died a few days before his body was found.
When he was found, he was wearing snorkeling gear, so it is likely that he drowned while snorkeling. The Japan Coast Guard is looking into what happened.
6/8 Сага о русалках
После беззаботного рассказа о жизни, смехе и любви, Такахаши перешел на более темную территорию ужасов в Сага о русалках. Манга по-прежнему о любви, а также о депрессии, убийстве и самопожертвовании. Так что смеха не хватает. Первоначально фигурировал в Еженедельное воскресенье сёненон последовал за Ютой, молодым человеком, который рисковал смертью или превращением в Потерянную душу, поедая плоть русалки.
Те, кому посчастливится избежать этой участи, обретут бессмертие. Но через 500 лет ему это надоело. Он встречает Ману, которую заставили есть мясо русалки в рамках ритуала, во время которого ее убивали и скармливали местным жителям. Он спасает ее, и они вдвоем отправляются на поиски живой русалки, чтобы лишить себя бессмертия и жить нормальной жизнью. За исключением того, что они не единственные бессмертные, и не все, кого они встречают, настолько полезны или заслуживают доверия.
Career
At 18, she drew on the Niigata Chuo High School her first manga Kyojin no Hoshi, which was published in in the Journal of the manga club at her school.
During her studies at Nihon Joshi Daigaku (English Japanese Women’s University ), she lived in a 14 m² large student apartment.
This life and living situation they sat around in the Maison Ikkoku Series.
During her studies she attended the evening by Kazuo Koike ( Lone Wolf & Cub ) led Manga School Gekiga Sonjuku.
She drew some short stories and was sponsored by the publisher Shogakukan New Artist Award.
Takahashi’s professional career began in with the manga Katte na Yatsura, which was published in the magazine Shōnen Sunday.
In the same year launched her first manga series Urusei Yatsura, which was published regularly and irregularly first from mid- 1979.
The series was an instant success and was continued until 1987.
October 1981 originated from an anime series.
The success of Urusei Yatsuras can be gauged by the fact that the limited laser disc collection of 195 episodes, 5 movies and OVAs 9 for 330,000 yen was sold out within two weeks.
1980 began her second major series Maison Ikkoku in the Big Comic Spirits, aimed at an older audience.
Until 1987, she worked on both series simultaneously as Urusei Yatsura and Maison Ikkoku 34 with tape graduated with Volume 15.
Then she turned to another narrative and began the dark, grisly Mermaid Saga.
This series was released sporadically until 1994.
In 1988, she began another series, One Pound Gospel, which also appeared irregular and remained unfinished.
In 1987 her third major series Ranma ½.
Already tape 5 more than 1 million copies were sold in less than a month.
With Ranma ½, she was also an international success.
Finally, on 6 July her hundred millionth copy of the book sold ( Ranma ½ Volume 34 ).
After nearly a decade, this 1996 ended after 38 volumes.
Then she started her fourth major series Inu Yasha, which appeared from 1997 to 2008 in Japan.
In contrast to Urusei Yatsura, Maison Ikkoku and Ranma ½ the more romantic comedies, it resembled more of the darker Mermaid Saga.
This series was their most versatile based by linking action, romance, horror, fantasy, drama, comedy and fairy tale historical fiction.
Since April 2009, appears in the magazine Shōnen Sunday manga Kyōkai no gutter.
Biographical and Critical Sources
PERIODICALS
Animerica, February, 1993, Seiji Horibuchi, interview with Takahashi; May, 1997, Seiji Horibuchi, interview with Takahashi.
Kliatt, January, 2005, George Galuschak, review of Mermaid Saga, p. 25.
Library Journal, September 1, 2003, Steve Raiteri, review of Ranma 1/2, Volume 1: Action Edition, p. 144; January, 2004, Steve Raiteri, review of Maison Ikkoku, Volume 1, p. 82.
Los Angeles Times, August 17, 2000, Charles Solomon, «A Worldwide Comic Book Success Story,» p. 54.
New York Times, September 17, 1995, Andrew Pollack, «Japan, a Superpower among Superheroes,» section 2, p. 32.
Publishers Weekly, March 22, 2004, review of Maison Ikkoku: Book One, p. 65.
Virginian Pilot, May 23, 1997, F. Daniel Valentini, «Forget the Flintstones! Japanese Animation Has Verve, Vision, and Variety,» p. E1.
In Takahashi’s manga series «Inu-Yashi,» the author/artist draws readers back to feudal Japan where a magical dogboy searches for a power-giving jewel and eventually comes face to face with a modern Japanese teen.
4/8 Однофунтовое Евангелие
Когда-нибудь задумывались, что Дом Иккоку было бы, если бы в нем были бокс и монахини? Вероятно, было бы более странно, если бы люди это сделали, поскольку это случайный набор тем. Тем не менее, Такахаши Однофунтовое Евангелие за Еженедельное молодое воскресенье является одним из ее скрытых драгоценных камней. Несмотря на то, что комикс существует уже почти 20 лет, он был адаптирован только в виде старой OVA и телевизионной драмы 2008 года.
Это реальная комедия о Косаку Хатанаке, боксерском вундеркинде, который сделал его гордостью тренажерного зала Мукода. У него самые сильные удары среди всех профессионалов в этом районе. Если бы он только мог контролировать свой вес. Его аппетит заставляет его прыгать между весовыми категориями. Итак, сестра Анджела, монахиня-стажер, помогает ему сдерживать обжорство, чтобы он не отвлекался. Затем, поскольку это манга Такахаши, все усложняется, когда у двоих появляются чувства друг к другу.
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Career
Rumiko Takahashi was born in Niigata, Japan. Although she showed little interest in manga during her childhood, she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School . Takahashi’s interest in manga did not start until later. In an interview in 2000, Takahashi said that she had always wanted to become a professional comic author since she was a child.
Initial works
During her university years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, author of Crying Freeman and Lone Wolf and Cub. Under his guidance Takahashi began to publish her first dōjinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi’s works throughout her career.
Katte na Yatsura and Weekly Shōnen Sunday
Takahashi’s professional career began in 1978. Her first published work was the one-shot Katte na Yatsura (Those Selfish Aliens), which garnered her an honorable mention at that year’s Shogakukan New Comics Contest. Later that same year, she began her first serialized story in Weekly Shōnen Sunday; Urusei Yatsura, a comedic science fiction story. She had difficulty meeting deadlines to begin with, so chapters were published sporadically until 1980. During the run of the series, she shared a small apartment with two assistants, and often slept in a closet due to a lack of space. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Weekly Shōnen Sunday magazine, which would remain the home to most of her major works for the next twenty years.
Romantic comedies and short stories
During 1980, Takahashi started her second major series, Maison Ikkoku, in Big Comic Spirits magazine. Written for an older audience, Maison Ikkoku is a romantic comedy, and Takahashi used her own experience living in an apartment complex to create the series. Takahashi managed to work on the series on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku at 15.
During the 1980s, Takahashi became a prolific writer of short story manga. Her stories Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, during the writing of Urusei Yatsura and Maison Ikkoku, Takahashi began a series published sporadically in Weekly Shōnen Sunday called Mermaid Saga which ran for 10 years, until 1994. The series was partially released in two wide-ban volumes, with the complete story released as a set of shinsoban in 2003.
Another short work of Takahashi’s to be published sporadically was One-Pound Gospel. Takahashi concluded the series in 2007 after publishing chapters in 1998, 2001 and 2006. One-Pound Gospel was adapted into a live-action TV drama.
Other works
In 1987, Takahashi began her third major series, Ranma ½ . Following the late 1980s and early 1990s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ and its anime adaption are cited as some of the first of their mediums to have become popular in the United States.
During the latter half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, Inuyasha. Unlike the majority of her works, Inuyasha has a darker tone more akin to Mermaid Saga and, having been serialized in Weekly Shōnen Sunday from 1996 to 2008, is her longest to date. On March 5, 2009, Rumiko Takahashi released her one-shot Unmei No Tori. On March 16, 2009, she collaborated with Mitsuru Adachi, creator of Touch and Cross Game, to release a one-shot called My Sweet Sunday. Her next manga series, Kyōkai no Rinne started on April 22, 2009. This was Rumiko Takahashi’s first new manga series since her previous manga series Inuyasha ended in June 2008. She concluded it on December 13th 2017, with a total of 398 chapters, collected in 40 volumes.
Urusei Yatsura, Maison Ikkoku, Ranma ½, Inuyasha, and RIN-NE are all published in English in the United States by Viz Comics. The 1989 re-release of Urusei Yatsura was halted after only a few volumes were translated, but began to be reprinted in 2019 in a 2-in-1 omnibus format.
Rumiko Takahashi started a new manga series entitled Mao in Weekly Shōnen Sunday issue #23 released on May 8, 2019.
Adaptations
«Urusei Yatsura» was adapted as a Japanese television series, 1981-86, five animated feature films, and three original videos; «Maison Ikkoku» was adapted as a Japanese television series, 1986-88, as an animated feature, and as a live-action movie; several short stories
from «Rumic World» were adapted as original video animated movies; «Ranma 1/2» was adapted as a Japanese television series, 1989-92, and for several animated feature films; «Inu-Yasha» was adapted as an animated Japanese television series, beginning 2000, and as several animated feature films. Other television series based on Takahashi’s works include Takahashi Rumiko Gekijyou, 2003, and Ningyo no mori (based on «Mermaid’s Forest»), 2003.
Style
Rumiko Takahashi is the first woman who could take in the area shōnen manga ( manga for boys) successfully foot.
However, their works are equally popular in girls.
In Takahashi’s stories are usually mixed several genres that have depending on the series of different strengths shares: In Urusei Yatsura and Ranma ½ outweigh thanks to the wacky characters, the comedic elements, Mermaid Saga and InuYasha are a lot darker and more brutal, and play Rumic World and Maison Ikkoku
in everyday life.
Rumiko Takahashi’s stories are characterized by interesting and wacky characters.
Most Takahashi characters are neither wholly good nor bad, but human.
In her comedic series often find characters with reversed gender roles.
Your female characters break with the traditional image of restrained ( Japanese ) woman and men are equal.
While your female (main) characters have one hand female awarded properties, but on the other hand also equally independent and assertive to short-tempered.
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5/8 Ранма ½
Возвращаясь на более веселую территорию, Ранма ½ пожалуй, следующий по популярности сериал Такахаси после Инуяша. Хотя он не был так широко распространен, как его преемник, его выпуски VHS 1990-х годов сделали его культовым хитом на Западе. Брайан Ли О’Мэлли назвал это источником вдохновения для своего Скотт Пилигрим комиксы, как и Мэтт Бозон для своей серии видеоигр Шантаэ. Дебютировавший в 1987 году, он был о Ранме Саотоме, мастере боевых искусств, который превращается в женщину, когда его обливают холодной водой.
Если он не был занят поиском лекарства от своего состояния, у него также была трудная любовная жизнь. У него есть разные поклонники для каждой из его форм, но он помолвлен с угрюмой цундэрэ Акане Тендо. Она ненавидит таких мужчин, как Ранма, но лучше ладит с «Ранко» — его женской формой. Сможет ли она когда-нибудь полюбить его истинное мужское «я»? Или он должен найти любовь в другом месте? Узнайте в переизданиях Viz Media или официальных цифровых переводах в Интернете.