Ишимбаева марина рауфовна

Childhood

Девушка еще в школе решила, что пойдет по creative steps mother, and in 1968, at the age of seventeen, graduating from secondary school, entered the filmmakers courses. Also, the future director managed to graduate in absentia from the schukin school, where she studied, of course, at the director’s faculty. The graduation performance of Marina in 1984 was the «Institute of Grandmothers», which was created based on the play by Anna Rodionova.

Уже на следующий год Марину зачисляют в штат Central Television. She also worked as editors of information programs. After a while, she changed the profile from scientific programs to study (the subdivision of foreign languages) and popular science.

In 1978, Marina Ishimbayeva moved to work in a literary and dramatic editorial office.

1990-2000 in the creative work of the director

Ishimbayeva Marina in 1990 changed her place of work, she followed Tatyana Olegovna Pauhova to Russian television, which was only being created. There she made a solo performance in the Art’el, a television version of Dead Souls with Alexander Filippenko. By the way, for the work in this performance, the actor received the State Prize.

Till now on a telecast «Culture» there is a cycle of transfers under the name «Apocrypha» which Ishimbaeva created joint efforts with Paukhova and Erofeevym.

Collaborated with T. Paukhova in the work on the series of programs about Grigory Gorin and Leonid Filatov.

The director decided to end the teledience and left the Russian television in 1996.

But in 1997 she was invited to the REN-TV channel by Irena Lesnevskaya, where she made six films called «Six evenings with Yuri Nikulin», a series of programs with Eldar Ryazanov and the «White Parrot Club» program.

1990-2000 in the creative work of the director

Ishimbayeva Marina in 1990 changed her placework, she followed Tatyana Olegovna Pauhova with Russian television, which was only being created. There in «Art’el» she staged a solo performance, a TV version of «Dead Souls» with Alexander Filippenko. By the way, for the work in this performance, the actor received the State Prize.

Till now on a telecast «Culture» there is a cycle of transfers under the name «Apocrypha» which Ishimbaeva created joint efforts with Paukhova and Erofeevym.

Collaborated with T. Paukhova in the work on the series of programs about Grigory Gorin and Leonid Filatov.

The director decided to end the teledience and left the Russian television in 1996.

But in 1997 she was invited to the channel «REN-TV»Irena Lesnevskaya, where she shot six films entitled «Six Evenings with Yuri Nikulin», a series of programs with Eldar Ryazanov and the transfer of «The White Parrot Club».

1990-2000 in the creative work of the director

Ishimbayeva Marina in 1990 changed her placework, she followed Tatyana Olegovna Pauhova with Russian television, which was only being created. There in «Art’el» she staged a solo performance, a TV version of «Dead Souls» with Alexander Filippenko. By the way, for the work in this performance, the actor received the State Prize.

Till now on a telecast «Culture» there is a cycle of transfers under the name «Apocrypha» which Ishimbaeva created joint efforts with Paukhova and Erofeevym.

Collaborated with T. Paukhova in the work on the series of programs about Grigory Gorin and Leonid Filatov.

The director decided to end the teledience and left the Russian television in 1996.

But in 1997 she was invited to the channel «REN-TV»Irena Lesnevskaya, where she directed six films entitled «Six evenings with Yuri Nikulin,» a series of programs with Eldar Ryazanov and the «White Parrot Club» program.

The work of the director

Ishimbayeva Marina is an active directoractivities on television, under her leadership, a lot of television programs and television projects, performances and plots for the screen. The most outstanding of the TV programs Marina begins to do in the 70 years, being a very young director. Of them:

• Many editions of the program «Zucchini 13 chairs».
• Also two parts of the program «When We were Young», which were published in 1978 and were timed to coincide with the 20th anniversary of ES «Our Home».
• In 1979, the world saw a work called «Chopotun, or the Master’s Case is Afraid».

In the eighties of the last century, not less than the works of this director appeared on the screens. Among them we can distinguish:

• «Shot. The story of Belkin, «staged by PN Fomenko in 1981.
• In the same year, «Ugly Elsa» appeared, staged by Chomsky.
• A year later appeared on the screen «Romeo and Juliet», the production of A. Efros.
• «Sorochinskaya Fair» staged by V. Smekhov was published in 1985.
• And in 1988 they recreated the play «The Tempest» together with A. Torstenson.
• Also Shimbayeva Marina since 1989 worked on the cycle «Actor’s tales».

TV stories in the direction of Shimbayeva:

• «About Fedot archer — a young fellow»;
• «Word».

Childhood

The girl still at school decided that she would gocreative steps mother, and in 1968, at the age of seventeen, graduating from secondary school, entered the filmmakers courses. Also the future director managed to finish in absentia a school named Shchukin, where she studied, of course, at the director’s faculty. The graduation performance of Marina in 1984 was the «Institute of Grandmothers», which was created based on the play by Anna Rodionova.

The next year Marina is enlisted in the stateCentral Television. She also worked as editors of information programs. After a while, I changed the profile from scientific programs to study (the subdivision of foreign languages) and popular science.

In 1978, Marina Ishimbayeva moved to work in a literary and dramatic editorial office.

Childhood

The girl still at school decided that she would gocreative steps mother, and in 1968, at the age of seventeen, graduating from secondary school, entered the filmmakers courses. Also, the future director managed to graduate in absentia from the schukin school, where she studied, of course, at the director’s faculty. The graduation performance of Marina in 1984 was the «Institute of Grandmothers», which was created based on the play by Anna Rodionova.

The next year Marina is enlisted in the stateCentral Television. She also worked as editors of information programs. After a while, she changed the profile from scientific programs to study (the subdivision of foreign languages) and popular science.

In 1978, Marina Ishimbayeva moved to work in a literary and dramatic editorial office.

The work of the director

Ishimbayeva Marina is engaged in active directorial activity on television, under her leadership, many television programs and television projects, performances and scenes for the screen. The most outstanding of the TV programs Marina begins to do in the 70 years, being a very young director. Of them:

• Many editions of the program «Zucchini 13 stools».
• Also two parts of the program «When We were Young», which were published in 1978 and were timed to coincide with the 20th anniversary of ES «Our Home».
• In 1979, the world saw a work called «Chopotun, or The Master’s Case is Afraid».

In the eighties of the last century, not less than the works of this director appeared on the screens. Among them we can distinguish:

• «Shot. The story of Belkin, «staged by PN Fomenko in 1981.
• In the same year, «Ugly Elsa» appeared, in the production of Chomsky.
• A year later appeared on the screen «Romeo and Juliet», the production of A. Efros.
• «Sorochinskaya Fair» staged by V. Smekhov was published in 1985.
• And in 1988 they recreated the play «The Storm» together with A. Torstenson.
• Also Shimbayeva Marina since 1989 worked on the cycle «Actor’s tales».

TV stories in the direction of Shimbayeva:

• «About Fedot archer — a young fellow»;
• «Word».

The work of the director

Ishimbayeva Marina is an active directoractivities on television, under her leadership, a lot of television programs and television projects, performances and plots for the screen. The most outstanding of the TV programs Marina begins to do in the 70 years, being a very young director. Of them:

• Many editions of the program «Zucchini 13 chairs».
• Also two parts of the program «When We were Young», which were published in 1978 and were timed to coincide with the 20th anniversary of ES «Our Home».
• In 1979, the world saw a work called «Chopotun, or the Master’s Case is Afraid».

In the eighties of the last century, not less than the works of this director appeared on the screens. Among them we can distinguish:

• «Shot. The story of Belkin, «staged by PN Fomenko in 1981.
• In the same year, «Ugly Elsa» appeared, staged by Chomsky.
• A year later appeared on the screen «Romeo and Juliet», the production of A. Efros.
• «Sorochinskaya Fair» staged by V. Smekhov was published in 1985.
• And in 1988 they recreated the play «The Tempest» together with A. Torstenson.
• Also Shimbayeva Marina since 1989 worked on the cycle «Actor’s tales».

TV stories in the direction of Shimbayeva:

• «About Fedot archer — a young fellow»;
• «Word».

The work of the director

Ishimbayeva Marina is an active directoractivities on television, under her leadership, a lot of television programs and television projects, performances and plots for the screen. The most outstanding of the TV programs Marina begins to do in the 70 years, being a very young director. Of them:

• Many editions of the program «Zucchini 13 chairs».
• Also two parts of the program «When We were Young», which were published in 1978 and were timed to coincide with the 20th anniversary of ES «Our Home».
• In 1979, the world saw a work called «Chopotun, or the Master’s Case is Afraid».

In the eighties of the last century, not less than the works of this director appeared on the screens. Among them we can distinguish:

• «Shot. The story of Belkin, «staged by PN Fomenko in 1981.
• In the same year, «Ugly Elsa» appeared, staged by Chomsky.
• A year later appeared on the screen «Romeo and Juliet», the production of A. Efros.
• «Sorochinskaya Fair» staged by V. Smekhov was published in 1985.
• And in 1988 they recreated the play «The Tempest» together with A. Torstenson.
• Also Shimbayeva Marina since 1989 worked on the cycle «Actor’s tales».

TV stories in the direction of Shimbayeva:

• «About Fedot archer — a young fellow»;
• «Word».

Childhood

The girl still at school decided that she would follow the creative steps of her mother, and in 1968, at the age of seventeen, graduating from a secondary school, she entered the filmmakers’ courses. Also the future director managed to finish in absentia a school named after Shchukin, where she studied, of course, at the director’s faculty. The graduation performance of Marina in 1984 was the «Institute of Grandmothers», which was created based on the play by Anna Rodionova.

The next year, Marina is enlisted in the staff of the Central Television. She also worked as editors of information programs. After a while, I changed the profile from scientific programs to study (the subdivision of foreign languages) and popular science.

In 1978, Ishimbayeva Marina moved to work in a literary and dramatic edition.

Childhood

The girl still at school decided that she would gocreative steps mother, and in 1968, at the age of seventeen, graduating from secondary school, entered the filmmakers courses. Also the future director managed to finish in absentia a school named Shchukin, where she studied, of course, at the director’s faculty. The graduation performance of Marina in 1984 was the «Institute of Grandmothers», which was created based on the play by Anna Rodionova.

The next year Marina is enlisted in the stateCentral Television. She also worked as editors of information programs. After a while, she changed the profile from scientific programs to study (the subdivision of foreign languages) and popular science.

In 1978, Marina Ishimbayeva moved to work in a literary and dramatic editorial office.

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Марина Рауфовна Ишимбаева () — телевизионный режиссёр.

Биография

Сразу после окончания школы в 1968 году поступила на курсы телевизионных режиссёров.Зачислена в штат Центрального телевидения (), работала в редакции Информации, в редакции научно-популярных и учебных программ (отдел иностранных языков), а с 1978 г. в литературно-драматической редакции. С по замужем за Негрулем Евгением Александровичем, торговым советником посольства Австралии. В 1978 г. вышла замуж за актёра Александра Филиппенко, а в 1985 г. родила ему дочь Александру.

Основные работы

Наиболее значительные спектакли в качестве телевизионного режиссёра:

• «Хлопотун, или дело мастера боится» (1979, пост. Е. Ануфриева)
• «Когда мы были молодые». (1978, К 20-летию ЭС «Наш дом». Программа в 2х частях.
• «Кабачок 13 стульев» (множество выпусков)
• «Гамлет» (1980, постановка А. В. Эфроса не закончен и стёрт)
• «Безобразная Эльза» (1981, пост. П. О. Хомского)
• «Выстрел. Повести Белкина» (1981, пост. П. Н. Фоменко)
• «Ромео и Джульетта» (1983, пост. А. В. Эфроса)
• «Буря» (1984, пост А. В. Эфроса стёрт)

Сюжеты для канала:

«Слово», в том числе «Один день Ивана Денисовича» (читал А. И. Солженицин).

Заочно закончила режиссерский факультет училища им. Щукина (мастерская Паламишева А. М.)

Дипломный спектакль:

«Институт бабушек», 1984 г. (пьеса Анны Родионовой, специально написанная для этого).

Другие работы:

• «Сорочинская ярмарка»(1985 г. пост. В.Смехова)
• В 1988 г. восстановили вместе с А.Торстенсоном спектакль «Буря» (по партитуре Эфроса и Рихтера).
• С 1989 г. делала цикл «Актёрские байки» (Дуров, Броневой, Вестник и т. д.), после чего ушла за Татьяной Олеговной Пауховой на новосозданное Российское телевидение, где в объединении «Арт’ель» сняла телевизионную версию спектакля «Мертвые души — последние главы» (пост. М.Розовского) — моноспектакль А.Филиппенко, за который он получил впоследствии Государственную премию.
• Вместе с Т. О. Пауховой и В. В. Ерофеевым создала цикл программ «Апокриф», который и поныне идёт на канале «Культура».
• Снимала в Королевской опере в г. Амстердаме оперу А. Шнитке «Жизнь с идиотом» (пост. Б.Покровского). В г. Токио снимала цикл балетов с Н.Ананиашвили. Делала с Т. О. Пауховой программу о Леониде Филатове, Григории Горине. В 1996 г. ушла с телевидения. В 1997 была приглашена на работу к Ирэне Лесневской на РЭН-ТВ и делала цикл из 6 фильмов «Шесть вечеров с Юрием Никулиным», программу «Клуб Белый попугай» и серию программ с Эльдаром Рязановым.

Живёт в Москве.

The work of the director

Ishimbayeva Marina is an active directoractivities on television, under her leadership, a lot of television programs and television projects, performances and plots for the screen. The most outstanding of the TV programs Marina begins to do in the 70 years, being a very young director. Of them:

• Many editions of the program «Zucchini 13 chairs».
• Also two parts of the program «When We were Young», which were published in 1978 and were timed to coincide with the 20th anniversary of ES «Our Home».
• In 1979, the world saw a work called «Chopotun, or the Master’s Case is Afraid».

In the eighties of the last century, not less than the works of this director appeared on the screens. Among them we can distinguish:

• «Shot. The story of Belkin, «staged by PN Fomenko in 1981.
• In the same year, «Ugly Elsa» appeared, staged by Chomsky.
• A year later appeared on the screen «Romeo and Juliet», the production of A. Efros.
• «Sorochinskaya Fair» staged by V. Smekhov was published in 1985.
• And in 1988 they recreated the play «The Tempest» together with A. Torstenson.
• Also Shimbayeva Marina since 1989 worked on the cycle «Actor’s tales».

TV stories in the direction of Shimbayeva:

• «About Fedot archer — a young fellow»;
• «Word».

1990-2000 in the creative work of the director

Ishimbayeva Marina in 1990 changed her placework, she followed Tatyana Olegovna Pauhova with Russian television, which was only being created. There in «Art’el» she staged a solo performance, a TV version of «Dead Souls» with Alexander Filippenko. By the way, for the work in this performance, the actor received the State Prize.

Till now on a telecast «Culture» there is a cycle of transfers under the name «Apocrypha» which Ishimbaeva created joint efforts with Paukhova and Erofeevym.

Collaborated with T. Paukhova in the work on the series of programs about Grigory Gorin and Leonid Filatov.

The director decided to end the teledience and left the Russian television in 1996.

Но в 1997 году ее пригласила на канал «РЕН-ТВ» Irena Lesnevskaya, where she shot six films entitled «Six Evenings with Yuri Nikulin», a series of programs with Eldar Ryazanov and the transfer of «The White Parrot Club».

1990-2000 in the creative work of the director

Ishimbayeva Marina in 1990 changed her placework, she followed Tatyana Olegovna Pauhova with Russian television, which was only being created. There in «Art’el» she staged a solo performance, a TV version of «Dead Souls» with Alexander Filippenko. By the way, for the work in this performance, the actor received the State Prize.

Till now on a telecast «Culture» there is a cycle of transfers under the name «Apocrypha» which Ishimbaeva created joint efforts with Paukhova and Erofeevym.

Collaborated with T. Paukhova in the work on the series of programs about Grigory Gorin and Leonid Filatov.

The director decided to end the teledience and left the Russian television in 1996.

But in 1997 she was invited to the channel «REN-TV»Irena Lesnevskaya, where she shot six films entitled «Six Evenings with Yuri Nikulin», a series of programs with Eldar Ryazanov and the transfer of «The White Parrot Club».

Биография[править | править код]

Сразу после окончания школы в 1968 году поступила на курсы телевизионных режиссёров. В 1969 году зачислена в штат Центрального телевидения. Работала в редакции информационных программ, позже в редакции научно-популярных и учебных программ (отдел иностранных языков), а с 1978 г. в литературно-драматической редакции.

Заочно окончила режиссёрский факультет училища им. Щукина (мастерская А. М. Паламишева). Дипломный спектакль — «Институт бабушек», 1984 г. (по пьесе Анны Родионовой, специально написанная для этого).

Семьяправить | править код

• Бабка — Алексеева-Закс Вера Бернардовна, — актриса театра.
• Дед — Алексеев Сергей Петрович — режиссёр театра и кино, народный артист РСФСР.
• Отец — Ишимбаев Рауф Шакирович — инженер-полковник, замдиректора Центрального дома кино.
• Мать — Ишимбаева Лидия Сергеевна (11 мая 1924 — 26 августа 1998) — телевизионный режиссёр.
• Сестра — Ишимбаева Елена Рауфовна (1946)
• С 1972 по 1978 замужем за Евгением Александровичем Негрулем, торговым советником посольства СССР в Австралии. В 1978 году вышла замуж за актёра Александра Филиппенко, а в 1985 году родила дочь Александру.